Fenomenología y Filosofía Primera 
«El filósofo se incluye a sí mismo, en cierto modo de una vez para siempre, en la peculiar tradición de los hombres sin tradición, o sea, de los socráticos» M. G-B.

Convocatoria: Does public art have to be bad art?

Os compartimos esta invitación que nos envía el el profesor Gworek:

"On behalf of independent academic publisher De Gruyter Open, part of the De Gruyter group, the open access journal Open Theology (http://www.degruyter.com/view/j/opth),we are announcing a Call for Papers for Topical Issue: Does Public Art Have to Be Bad Art?
I would appreciate the widest distribution of the details (below) among members of The Fenomenologia y filosofia primera.
Best regards,
Lucas Gworek
Assistant Editor "
De Gruyter Ltd.
Domicile: Warsaw POLAND
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Value added tax identification number: PL9521878738
Managing Directors: Dr. Anke Beck, Jacek Ciesielski


CALL FOR PAPERS
for a topical issue of Open Philosophy
DOES PUBLIC ART HAVE TO BE BAD ART?

"Open Philosophy" (http://www.degruyter.com/view/j/opphil) invites submissions for the topical issue "Does Public Art Have to Be Bad Art?", edited by Mark Kingwell (Toronto University).
The aim of this topical issue is to explore diverse perspectives and recurring problems in the area of public art. By public art we mean, among other things, civic and institutionally commissioned works that are placed in public places such as community squares and plazas, as well as works that claim to explain or commemorate the spaces in which they appear. Background controversies are familiar debates about the use or misuse of public funds, the alleged elitism of commissioning committees, and the difficulties of art’s relation to its own site(s). A case such as Richard Serra’s Tilted Arc might serve here as an example that gathers most of the relevant themes into one example. There is of course a great deal of discourse on the question of public art in general; the aim of our deliberately provocative question in the call for papers is to isolate the specifically controversial status of public art. This in turn highlights the status of public spaces, and thus offers an especially urgent version of the always vexed relation between art and politics.

Among the topics we seek to explore are:

   *   What makes public art public; the range of ‘publics’;
   *   The economics and politics of commissioning and installing civic art;
   *   Notions of philistinism and elitism in debates about public art;
   *   How art relates to place and space; questions of site and influence;
   *   Controversies concerning civic or cultural identity in public art; ideas of memory, identity, ethnicity, indigeneity, etc.;
   *   The very idea of public spaces as shared spaces.

Authors publishing their articles in the special issue will benefit from:
·         transparent, comprehensive and fast peer review,
·         efficient route to fast-track publication and full advantage of De Gruyter's e-technology,
·         free language assistance for authors from non-English speaking regions,
·         no publishing fees.

HOW TO SUBMIT
Submissions will be collected from September 1 to October 31, 2018. To submit an article for the special issue of Open Philosophy, authors are asked to access the on-line submission system at:http://www.editorialmanager.com/opphil   
Please choose as article type: “Topical Issue Article: Public Art”.
Before submission the authors should carefully read over the Instruction for Authors, available at: https://www.degruyter.com/view/supplement/s25438875_Instruction_for_Authors.pdf
All contributions will undergo critical review before being accepted for publication.
Further questions about this thematic issue can be addressed to to Mark Kingwell at mark.kingwell@utoronto.caIn case of technical questions, please contact journal Managing Editor Katarzyna Tempczyk at katarzyna.tempczyk@degruyteropen.com.

Dr. Katarzyna Tempczyk
Managing Editor, Theology and Religious Studies
Managing Editor, Philosophy

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